• Retro writing 02 – ARDATA

    In my search for an interesting, distraction-free writing device, I went first for the most capable options – my laptop and the iPad Pro. With a good application, such as Scrivener, writing and editing on my iPad is just a pleasure (especially lately with the wireless keyboard and trackpad support enabled). I could just end…

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  • Retro writing 01 – Casio and Pomera

    After finishing my second book called “Tokyo at Night” which consisted of mostly big and highly detailed watercolor paintings, I decided that I needed a break from this kind of work. I felt a similar sort of weariness as I did while painting animation backgrounds for months without a break.I was itching to get back…

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  • (I’m still going to do it.) First, this story is more an analysis of my current artistic predicament than one of my usual articles. Still, maybe you will find it useful for comparing with your creative mindset.Let me tell you two stories to illustrate what I have been thinking about lately. When I was still…

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  • This article started with another idea that came from me discussing art related things with Kana. We always seem to look for new metaphors that would help us understand what exactly are we doing with our art careers. Also, we get excited each time we manage to find a parallel that is a particularly good…

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  • The first thing that I want to make clear is that I’m still using a lot of the equipment that is listed on my website for my various projects. It’s just that my approach to writing and drawing utensils changed a lot during the past few months and I wanted to talk a bit about…

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  • This is again one of the topics that have been on my and Kana’s minds recently. The realization was caused by an event held in Japan’s most famous center for animation (anime), comics (manga) and the all-present, cute “moe” illustration culture which is Tokyo’s Akihabara.We were invited to an event for published artists and spent…

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  • One of the problems of being a freelance artist is that you end up thinking about your work almost all the time. Even more so because we share work together with Kana we tend to amplify each other’s pressure to just work constantly. I decided some time ago that I would like to look for…

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  • One of the problems of coloring a piece traditionally, and especially so with watercolors is making mistakes. If we make a big mistake when coloring a line art, not only we lose the time we spent putting the colors in but also the original line art done with ink or pencils. To be less stressed…

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  • We often wonder what makes good pieces of art (may they be illustrations, comics, animations or anything else really) different from only competent work. What makes them stand out. With Kana we discuss it a lot, trying to figure out what is the compelling aspect that makes us save some art to be studied, enjoyed…

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  • I have been using fountain pens for drawing since I can remember. We have been using them in Poland for writing in primary school (your letters were supposed to look better when written this way) so, naturally, I used them for drawing too. Sometimes I switch to other pens, multiliners or rapidograph pens for the…

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